A divorced alcoholic seeks refuge in a remote ancestral cabin only to be confronted by demons that have haunted her family for generations.

An American artist's obsession with a disturbing urban legend leads her to an investigation of the story's origins at the crumbling estate of a reclusive painter in Ireland.

Some Boys Don't Leave is the story of what happens when the break-up happens but the break does not. 'Boy' is forced to come to terms with the fact that 'Girl' no longer wants him around. The only problem is he just can't seem to leave their once shared apartment. 'Girl' decides to keep living her life around him; while he remains, watching at a distance. In time, each decides to go in his or her own distinctly different directions. 'Boy' soon finds that sometimes the greatest distance we are asked to travel is one within ourselves.

British academics Loretta and Bridget run into Sandra, an old school friend at a book launch. Although Sandra appears to be gay and carefree, Loretta notices an undercurrent of tension while Sandra stays with her for a few days. Loretta is saddened to learn her friend was killed in a car accident, and comforts Sandra's estranged husband Tom, her daughter Lizzie, and emotionally disturbed son Felix. While doing so she becomes to believe the accident may not be what it seems, spurred on by the information a local policeman provides her.

A mother moves into a new house with her two children. One night she must leave the siblings home alone. What begins as a blast of carefree play soon turns into a claustrophobic horror story.

A Vegas wedding spells trouble back at home, as Carrie (Bissett) and Jim (Estes) each break the news to their kids. Can the newlyweds -- and their new household -- survive?

Pelourinho: They Don’t Really Care About Us (2019) is freely inspired by a letter in 1927 from Pan Africanist W.E.B. Du Bois to the American embassy in Brazil, this colorful film explores how it was impossible for African Americans to travel to Brazil through a series of vignettes and reminds us of the inequality still faced by that country’s black inhabitants. 　　"The starting point for this colourful film is a letter from human rights activist W.E.B. Du Bois to the American embassy in Brazil. The fact that in 1927 it was impossible for African Americans to travel to Brazil reminds us of the inequality still faced by that country’s black inhabitants." -- IFFR 　　Produced by Obibini Pictures LLC 　　Directed by Akosua Adoma Owusu 　　Cinematography by Akosua Adoma Owusu 　　Voice Over: Lais Machado & Augusto Soledade 　　Edited by Dylan Bowman 　　Sound Design & Mix: Kari Rae Seekins

Pelourinho: They Don’t Really Care About Us (2019) is freely inspired by a letter in 1927 from Pan Africanist W.E.B. Du Bois to the American embassy in Brazil, this colorful film explores how it was impossible for African Americans to travel to Brazil through a series of vignettes and reminds us of the inequality still faced by that country’s black inhabitants. 　　"The starting point for this colourful film is a letter from human rights activist W.E.B. Du Bois to the American embassy in Brazil. The fact that in 1927 it was impossible for African Americans to travel to Brazil reminds us of the inequality still faced by that country’s black inhabitants." -- IFFR 　　Produced by Obibini Pictures LLC 　　Directed by Akosua Adoma Owusu 　　Cinematography by Akosua Adoma Owusu 　　Voice Over: Lais Machado & Augusto Soledade 　　Edited by Dylan Bowman 　　Sound Design & Mix: Kari Rae Seekins